as an academic discipline. All citations in this Beiheft of Metahistory: The Historical Imagination in Nine-teenth-Century Europe (Baltimore and London, 1973) are placed in parentheses. Metahistory The Historical Imagination in Nineteenth-century Europe (Book) : White, Hayden V. Hayden White Since its initial publication in 1973, Hayden White’s Metahistory has remained an essential book for understanding the nature of historical writing. The various assertions of Metahistory exist along two axes: one, an his-1. This, however, does not yet constitute history. Hayden White probes the notion of authority in art and literature and examines the problems of meaning—its production, distribution, and consumption—in different historical epochs. Hayden White,s Metahistory: The Historical Imagination in Nineteenth-Century Europe has remained an essential book for understanding the nature of historical writing. 2. “Hayden White: In Memoriam.” The Historian 80.4 (Winter 2018): 691–704. Vico, Croce, Derrida, and Foucault are among the figures he assesses in this work, which also offers original interpretations of a number of literary themes, including the Wild Man and the Noble Savage. In this classic work, White argues that a deep structural content lies beyond the surface level of historical texts. In this cli- ... his Metahistory when he writes, The writing of history; written history. American historian Hayden White (born 1928) is one of the most influential theorists of narratological theory and pilosophy of history since the 1970s. Metahistory.org charts a passage beyond the received scripts of history and culture, toward a world free from enslavement to historical lies and unexamined beliefs. For an analysis of White's earlier work in comparison to Metahistory and subsequent publications, see Hans Kellner, Language and HistoricalRepresentation: Getting the Story Crooked (Madison, Wisc., 1989), especially chapter 8, "A Bedrock of Order: Hayden White's Linguistic Hayden White, professor in the program in the history of conscious- ness at the University of California, Santa Cruz, is the author of The Tropics of Discourse: Essays in Cultural Criticism, The Greco-Roman Tradition, and Metahistory: The Historical Imagination in Nineteenth Century Europe. He was professor emeritus at the University of California, Santa Cruz, and held position of professor of comparative literature at Stanford University. Historians are concerned with events which can be assigned to specific timespace locations, events which are (or were) in principle observable or perceivable, whereas imaginative writers – poets, novelists, playwrights – are concerned with both these kinds of events … • He coins the term “meta-history… He was professor emeritus at the University of California, Santa Cruz, and held position of professor of comparative literature at Stanford University. Hayden White, Metahistory: The Historical Imagination in Nineteenth-Century Europe (Bal-timore, 1973). His widely read (and citicized) Magnum opus ‘Metahistory. Hayden White (July 12, 1928 - March 5, 2018) was an American historian and historiographer.. Hayden White - Metahistory 2. Metahistory The Historical Imagination in Nineteenth-century Europe (Paperback) : White, Hayden V. : Since its initial publication in 1973, Hayden White's Metahistory has remained an essential book for understanding the nature of historical writing. Historiography, as per the top two definitions offered by the Oxford English Dictionary (www.oed.com), is: 1. For an analysis of White's earlier work in comparison to Metahistory and subsequent publications, see Hans Kellner, Language andHistoricalRepresentation: Getting the Story Crooked Hayden White, Metahistory: The Historical Imagination in Nineteenth-Century Europe (Baltimore, 1973). As of this writing Thursday afternoon, just three notices of the Monday death of Hayden White have turned up in Google News -- and only one of them in English: a tribute posted to the website of Wesleyan University, where White directed the Center for the Humanities from 1973 to 1976.. 1. In this classic work, White argues that a deep structural content lies beyond the surface level of historical texts. Hayden White, History, and Literary Artifacts In his essay “The Historical Text as a Literary Artifact,” theorist Hayden White tries to answer metahistorical questions by exhorting historians to embrace rather than deny the literaryorigins and confinement of historical narratives. • His essay raises questions about the disciplinary boundaries between HISTORY and LITERATURE (Fact vs. Fiction). If one were to examine these presuppositions in the light of his other writings, one might uncover his reasons for accepting them. Jan 31, 2020 - In 1973, historian Hayden White published Metahistory: The Historical Imagination in Nineteenth-century Europe. H ayden White, the philosopher of history whose classic Metahistory (1973) has had an enduring influence on the humanities, died last year. Hayden White's Metahistory flies in the face of this tradi-tion and attempts to undercut its premises by using a formalist methodology to study history, with the emphasis no longer on the sense of history but on the rhet-oric (the tropes) of history-writing. Hayden White was a historian in the tradition of literary criticism, perhaps most famous for his work Metahistory: The Historical Imagination in Nineteenth-Century Europe (1973). 1. In publishing his compendious work Metahistory in 1973, Hayden White gave currency both to a term and to a programme. Background to Metahistory is long essay on the antecedents of metahistory, going back to founding of Rome in 747 BCE, an event in which mythical and history converge, and coming forward to the modern definition of metahistory proposed by the academic Hayden White. Quotes []. Hayden White, 1928-2018, war emeritierter Professor für Geschichte des Bewusstseins an der Universität von California, Santa Cruz, und für Vergleichende Literaturwissenschaften an der Universität Stanford. DOI: 10.1111/hisn.12998 E-mail Citation » This memorial piece provides an elegant and thoughtful overview of Hayden White’s oeuvre. In this classic work, White argues that a deep structural content lies beyond the surface level of historical texts. THE PRESUPPOSITIONS OF METAHISTORY MAURICE MANDELBAUM In the introductory chapter of his Metahistory, Hayden White explicitly sets forth the main presuppositions underlying that work. Hayden White borrows the title for The Practical Past from philosopher Michael Oakeshott, who used the term to describe the accessible material and literary-artistic artifacts that individuals and institutions draw on for guidance in quotidian affairs.The Practical Past, then, forms both a summa of White’s work to be drawn upon and a new direction in his thinking about the writing of history. On "master-texts," see Hayden White, "Review Essay: Leon Pompa, Vico: A Hayden White Metahistory - Free download as PDF File (.pdf), Text File (.txt) or view presentation slides online. Metahistory: The Historical Imagination in Nineteenth-Century Europe ACLS Humanities E-Book European history philosophy John Hopkins paperbacks European history, philosophy Johns Hopkins paperbacks: Author: Hayden White: Edition: reprint: Publisher: JHU Press, 1975: ISBN: 0801817617, 9780801817618: Length: 448 pages: Subjects From story to history From chronicle to story The series of events (as recorded in chronicle or annal) is shaped into something with a beginning, a middle and an end. Since its initial publication in 1973, Hayden White's Metahistory has remained an essential book for understanding the nature of historical writing. His key fourfold was that of literary emplotments due to Northrop Frye: Romance, Come… The study of history-writing, esp. A cool post on Hayden White would have been great, but this isn't that post. His subtitle, ‘The Historical Imagination in 19th-Century Europe’, indicated the broad area of his investigations, but gave little sense of the radical originality of this programme, which was quite simply the re-examination of historiography in its written form. I haven't read Metahistory, but I am dubious that this chart means anything substantial. 80 HAYDEN WHITE pp 158-238, though they should be taken as little more than labels of the complex charac-terizations he offers 39 Marx himself, of course, refers to the events leading up to Louis Napoleon's coup as a "farce" and contrasts it to the "tragedy" of the Revolution of 1789 The tone is ironic Hayden White, postmodernism, professional historiography, rehistoricization, optionalism, deconstruction. Get this from a library! Die Debatte, die mit diesem großen Buch angestoßen wurde, wirkt bis heute nach. Humanity is a species endangered by its beliefs, and most of all, its religious illusion of superiority. Metahistory Summary Metahistory: The Historical Imagination in Nineteenth-Century Europe by Hayden White Since its initial publication in 1973, Hayden White's Metahistory has remained an essential book for understanding the nature of historical writing. In this classic work, White argues that a deep structural content lies beyond the surface level of historical texts. Hayden White for absolute beginners. Hayden White was a historian in the tradition of literary criticism, perhaps most famous for his work Metahistory: The Historical Imagination in Nineteenth-Century Europe (1973). [Hayden V White] Hayden White, “The Historical Text as Literary Artifact” • White applies theories of fiction to historical writing (ie historiography). Metahistory : the historical imagination in nineteenth-century Europe. Hayden White, Traumatic Nationalism, and the Public Role of History1. 2. 2 SAGE Open and their own limitations, interests, and biases of any kind ultimately affect and surface in their accounts. Tropics of Discourse develops White's ideas on interpretation in history, on the relationship between history and the novel, and on history and historicism. Such, however, is not my aim. The author reflects on White’s legacy and argues for the abiding relevance of “The Burden of History” and Metahistory in I like Hayden White a lot, but this post is just a link to a short and poorly edited summary of a presentation given by a graduate student for some seminar. In the end, he suggests, the only meaning that history can have is the kind that a narrative imagination gives to it. A. Dirk Moses - 2005 - History and Theory 44 (3):311-332. Jan 31, 2020 - in 1973, hayden White, “ the historical Text as Literary Artifact ” White... 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